
Rocky Raccoon
The Beatles - 1968
Ask any of my friends who play guitar- they'll tell you about all the times I begged them to learn how to play this song. Personally, I believe that Rocky Raccoon is best played around a campfire. It comes from the Beatles' 1968 self-titled album, also commonly known as The White Album due to its simple white cover. I've never been sure if the character of Rocky Raccoon was supposed to be an actual raccoon or a boy named Rocky, but I've always pictured him as a raccoon. "Rocky Raccoon" tells a story, however strange. Inspired by old cowboy tales, it takes place in a backwater mining town in South Dakota. Rocky, a hotheaded raccoon/boy tries to win the woman (or maybe also a raccoon?) he's in love with back from the man who stole her away. He takes revenge in the form of a saloon shootout, but ends up being the one getting shot.
Because the song is meant to be playful, easy to follow, and narrative in nature, the lyrics follow the conventions of the genre. In this way, the ragtime folk-rock number Rocky Raccoon is a representation of Student Learning Outcome #3, Language and Citation Conventions. The language used in a work changes drastically, depending on what you are trying to produce. The rhetorical choices used in a first-person narrative work would be inappropriate in a scientific essay, and unique syntax used in a poem would be considered grammatically incorrect in a research proposal.
Now somewhere in the black mining hills of Dakota
There lived a young boy named Rocky Raccoon
And one day, his woman ran off with another guy
Hit young Rocky in the eye
Rocky didn't like that
He said, "I'm gonna get that boy."
So one day, he walked into town
Booked himself a room in the local saloon
And Rocky Raccoon checked into his room
Only to find Gideon's Bible
Rocky had come equipped with a gun
To shoot off the legs of his rival
His rival, it seems, had broken his dreams
By stealing the girl of his fancy
Her name was Magill, and she called herself Lil
But everyone knew her as Nancy
Now, she and her man, who called himself Dan
Were in the next room at the hoe-down
Rocky burst in, and grinning a grin
He said, "Danny boy, this is a showdown"
But Daniel was hot, he drew first and shot
And Rocky collapsed in the corner!
Now, the doctor came in, stinking of gin
And proceeded to lie on the table
He said, "Rocky, you met your match"
And Rocky said, "Doc, it's only a scratch"
And I'll be better, I'll be better, Doc, as soon as I am able
Now, Rocky Raccoon, he fell back in his room
Only to find Gideon's Bible (oh, do-do-do)
Gideon checked out, and he left it, no doubt (ooh Rocky, ooh)
To help with good Rocky's revival!
Attached: a video of my friends and I singing Rocky Raccoon.
Language and Citation Conventions
Student Learning Outcome #3
Over the course of this class, I have learned how to identify and explain variations in structure, tone, syntax, rhetorical choices, and grammar across different contexts and genres. The language conventions of a literary work are dependent upon what kind of work it is and what point the author is trying to make. For example, my Systems Literacy Narrative began with dialogue, but my final Court Case Controversy essay began with a hook. I was able to use dialogue to open the work because the essay was about my personal experience and development with my literacy in a system, and the conversation was an insightful personal anecdote that added to the story I wanted to tell. In contrast, my Essay 2 did not use a first person point of view apart from the conclusion where I shared my own personal opinion. This is because the essay was an analysis of rhetorical choices used by each side of a controversy, and I wanted to be analytic, factual, and assertive in nature. I used the St. Martin’s Handbook Top 20 Revisions to polish my work and make sure it was grammatically correct for my essays, especially because I cited lots of information from other sources. However, grammar works differently in poetry; my Litany Poem might have sentence fragments, but they’re used to push a narrative. Overall, because we worked with different modalities and genres, I gained experience shifting my writing structure to match the conventions of the genre.
Supporting Artifact
Excerpt from Systems Literacy Narrative
“Thank you.”
“For what?”
“For caring about me.”
I’m at a friend’s birthday bonfire at Dockweiler Beach well past its closing time. I have a Dr. Pepper in one hand, a skewer boasting a charred marshmallow in the other. (We don’t have proper marshmallow-roasting equipment; the skewers are wooden, meant for kebabs.) There are spots in my eyes from staring at the fire for too long. There is school the next day, but I don’t care much. It’s nearing the end of my senior year, early June, and I’m learning more from this conversation than I would’ve from showing up to school well-rested, anyway. I ask an old friend how he’s doing, and he tells me he is struggling. He says the word like it surprises him, like it feels foreign in his mouth. In it, in the way his voice catches on the edge of the word, I see him, myself, and everything in between.
Constant systemic denial of my neurological condition from an education system rooted in individualistic ideals led to a cycle of shame, but through challenging harmful societal narratives about success and failure, I gained the insight and experience to help others feel seen in the way I never was. Attention Deficit Hyperactivity Disorder, or ADHD, is a neurological condition that affects cognitive function. People with ADHD often struggle with things such as emotional regulation, sustained attention, time management, organization, impulsivity, and an increased risk for other mental health conditions. Because of this, school is generally not a friend to people with this disorder. I don’t know if the amount of ADHD in a person can be quantified, but if it can, then there’s a lot of it in me. My personal experience with the American public school system is defined by the way that it puts the pressure of success, and the weight of failure, directly on the individual. It’s built for neurotypical minds and pathologizes differences while simultaneously pretending they don’t exist, teaching a “growth mindset” and stressing perseverance while assuming failure comes from a lack of effort. American ideals of individualism promote independence and self-reliance in academic settings; the discouragement of any sort of struggle makes the word “school” feel synonymous with “in the wrong place” to me.
In-Class Assignments and Activities
Course Goal #2
As a writer, I like to talk things out before I write them down. Most of the time, for these in-class peer reviews, my peer (usually Brett) and I would talk for the entire allotted time and jot down quick notes. Then, later in the day, we would come back to the assignment instructions and make our thoughts, recommendations, and suggestions understandable and actionable. Throughout the semester in this Writing Foundations course, I have improved on revising my own work, but I have also learned how to best suggest revisions to peers. Because I reviewed with the same peer most of the time, I was able to be more critical of his work- especially rough drafts and early stages- because I became familiar with him as a writer and what he was capable of. I think two important skills to learn are the abilities to criticize kindly and the ability to take criticism gracefully. When you begin to see kind criticism as teamwork instead of a personal affront to your writing, the work gets better. A peer, looking at an unfamiliar-to-them work with fresh eyes, can catch things that you as the author have missed.